When all photographic color Gods gathered // Mirta

Tel Avivian RED

Nick // Jerusalem

This is my first time shooting +Crossroads in Jerusalem.
Every NEW place I choose to photograph +Crossroads, near or far, fills me with present-like enthusiasm // Nick

On the streets of Jerusalem // Odelia-Sarah

Sylvie // Tel Aviv

Raz and Bar // Dizingoff Center

A dancer and a singer // Shirley

Bar // Tel Aviv

Each scheduled exit for +Crossroads shoot takes about 5 hours in search of the unique street models.

Most of these random sessions end with a thankful handshake and continue on to the next photo search.
But not this time. While shooting Bar, she whispered between the click-through she’s also a photographer. She happens to be carrying an old film camera.
Over the years, I have noticed that pro/beginner photographers can find themselves diving into photo conversations with people they have just met. Just like in this case.

Alex

At the roundabout // Nastya

Shooting +Crossroads means that I have to do a fast calculation of the street model outfit, light & surroundings. When I feel that everything matches great I ask the model if I can take his/her portrait. All elements were right when I stopped Ariel to take her portrait. She told me she’d rather not to be photographed and added she is actually a portrait photographer.I visioned this specific image when I asked to photograph her. Then after a small chat about photography and Radiohead, I asked for her portrait again. She agreed.

Mor & Kim // Tel Aviv

Fully black is the most tricky decision for me to stop people to take their portrait. There has to be something intriguing & special. In this case - while crossroading in Tel-Aviv there was something about their confident attitude that made me take these images 🖤 Mor & Kim

Summery Rothchildian Style // May

Allenby, Tel Aviv // Itay

Tel Aviv // Joen